If you are in the New York City area Tuesday, September 22nd, then be sure to check out this event. Skaffs creator Luke Feldman will be doing a book signing and demonstration at Kinokuniya at the Avenue of the Americas location.
Artist Skaffs Book Signing
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Artist, Books, Event, Fine Art, Illustration, Manga — Tags: Artist Book Signing, Luke Feldman, NYC, Skaffs —
Illustrator David Chelsea
Portland, Oregon Artist and Illustrator David Chelsea has completed some new work for an upcoming anthology called “Snow Stories” (no date yet). Mr. Chelsea was kind enough to lend us some pages to share with you. When we get more info on the release of the book we will share it here. See a few more pages after the jump.
UPDATE:
David Chelsea mentions his tools used for this project on his blog
Hollis Brown Thorton
Hollis Brown Thorton is a fine artist I’ve been paying attention to for a while now. I really dig his moody abstractions and use of photography and appropriated video game imagery. He also does quite a bit of work in his moleskin sketchbooks in marker. This Printed Circuit Board image just went up on his tumblr today. Also check out the work on his website and flickr stream. I have no idea what brand of markers he uses but it doesn’t matter. He does great stuff.
Vintage Illustrations
Unfortunately I don’t have any info on these vintage illustrations except that they are French and probably from the 40’s or 50’s. From one of my favorite visual inspiration blogs But Does it Float. Hit the link and enjoy.
CF Payne is now online
If haven’t heard of him, C.F. Payne is one of the most well known and prolific of contemporary American illustrators. When I was in design school illustration classes we used to pour over his Time covers and entries into American Society of Illustrator Annuals. Check his work out. It will be worth your time. I promise.
via Drawn!
Drawing Manga
Check out our Product Specialist Marianne Walker’s blog I Like Markers. She has a brief tutorial on manga illustration entitled “How to draw a Manga head“. Check it out.
Fly with the Spaceship
This was sent to me via our Myspace page by one of the artists behind the film. It comes from the Baden-Wurremburg, Germany based design studio Fly with the Spaceship. Great combined use of technology and traditional media. Their website has some cool typefaces for free download and at least one of them makes some really cool electronica music. Busy guys.
UPDATE:
Artist Enormal sent me a brief note describing the video:
“There is nothing special to say about DOUBLE SESSION except that it was pure improvisation, and we were freestylin for maybe 2 hours. and then [sped up the film]….
I’m drawing in front while Chrispy Christal is in the back, kicking some styles and shapes in illustrator, thats it”
Abstraction, Animation, Fine Art, Illustration, Video — Tags: Design, Fine Art, Illustration, Projection, Video —
Illustrator Abner Graboff
During my blog reading this week I found a great feature on Illustrator Abner Graboff. For those of you who dig children’s book illustration, especially stuff from the 50’s and 60’s, this is a great read. Portland, Oregon Illustrator Ward Jenkins did some research on Graboff and even did an interview with Graboff’s son Jon. Over three posts, Jenkins show off a lot of great images from Graboff’s books from the 50’s and 60’s.
Check it out: Part 1, Part 2, Part 3
Jenkins himself has recently released his first childrens book, “How to train with a T Rex and win 8 gold medals” about olympic swimmer Michael Phelps. Great stuff.
Mark Todd Mini Zine – Altered Comic Covers
Illustrator Mark Todd currently has a limited edition mini-zine available for sale on his site. As he describes it: “This is a collection of some of the altered comic cover pieces I have created over the past four years.” I need one for the office. It looks so great.
Also check out the rest of Todd’s art. He’s done work for Mtv, Coca-Cola, Sony Music, The New Yorker… the list goes on. Here are a couple of my favorites from his portfolio:
Artist Interview with Cat Staggs
This month our Featured Artist Gallery presents Cat Staggs.
Some time last year I was contacted by Cat Staggs and was very excited by the work she was doing. She has a very painterly style and her techniques give her film and comic book icons a rich presence.
From her bio:
llustrating over 130 cards for the Star Wars: Revenge of the Sith card set for TOPPS, Cat joined the Star Wars / LUCAS FILM family in 2004. The highly collectible artist’s sketch cards brought Staggs into the forefront of Star Wars fandom. Having produced exclusive prints for Star Wars Celebrations III, IV, and Europe, Cat has also contributed drawing tutorials and Halloween masks articles for the kid’s section, as well as illustrating short fiction for starwars.com
Not content to only play in that galaxy far, far away, Cat’s work has also been featured on The Lord of the Rings Evolution and Masterpieces card sets and three sets featuring Indiana Jones for TOPPS.
Moreover, further cementing her reputation among collectors and fellow artists, Cat’s distinctive work can also be seen on Rittenhouse Archives’ Iron Man-The Movie, Complete Marvel Avengers, X-Men Archives and DC Legacy card sets, as well as The World’s Finest VS trading card game for Upperdeck.
See below the interview for a brief description of her process.
What is your earliest memory of drawing or making art?
I don’t remember not drawing. My mother tells me I was drawing something the second I could hold a crayon.
Do you have formal training or are you self-taught?
Both. I would draw all the time but I also focused on art classes from an early age. I never wanted to do anything else. I went to a University Of Texas in San Antonio and studied fine art, obtaining my Bachelor’s Degree. That is the extent of my formal education. But to this day I am still learning something new everyday. Whether it be something I figure out on my own or learn from my peers and/or mentors.
Can you briefly describe your illustration process?
I usually come up with an idea. I Frankenstein reference together. I normally shoot my own(myself or with the help of a photographer ) as it is the only way to make sure i get exactly what I need. Then I will do my layout sketch. Once that is finished I then scan the sketch and print out a blue line version to do the coloring on. I usually start with an under drawing of the basic light and shadow. Once that is complete I go in with the color, layering until i reach the desired render. once i am “satisfied” I go in with a white acrylic to had the highlights in the final layer.
Paint vs. Markers? What is the deciding factor?
For me i really enjoy markers. I feel like I have a little more control over the media than I do with paint or a paint brush.
How did you get into doing trading cards for film and comics?
I started going out on the convention circuit and handed out portfolios. I was then contacted a few months later by Topps asking if i was interested in working on the Revenge Of The Sith trading card set. And the rest is history.
Who are some of your favorite illustrators/ artists?
I am a big Norman Rockwell fan as well as Jon Whitcomb and Robert McQuire. More recent illustrators include Adam Hughes, Phil Noto, Mitch Breitweiser, Mark Brooks, Brian Stelfreeze and Dustin Nguen to name a few. I am lucky that part of my job is going to conventions and getting to sit in the middle of some of the most talented illustrators of our time. It is really inspiring.
What advice/crit from a teacher or mentor have you received on your work that really helped you develop?
My high school art teacher told me to go with my gut and trust my line and keep the focus on one idea at a time. Continuous second guessing is never a good thing and in the end you will wish you went with your initial instinct and could lose your idea in the process. It was great advice at the time.
That being said, I have come to learn, the initial idea is not always the strongest. There are times when another set of eyes will see things that the creator does not. Things that can bring a new energy to a piece, especially if it is just not coming together. Art tends to always be evolving even within a single piece. An idea can strike right in the middle that would make it better. Inspiration can strike at anytime. I have found that most artists will never complete a piece. We are constantly seeing ways to make it better, even years later.
What’s the best part about being an illustrator?
Working freelance.
What is the worst part about being and illustrator?
Working freelance…LOL
Here is a brief step-by-step of the above Batman image Cat did for a private collector. She used Copic Markers as well as white acrylic for highlights.
Top left to right
1) cleaned up sketch
2)Blacks
3)Warm Grays
4)Tonal grays
5)Neutral and cool grays
6)blue violet under drawing
7)first color layer
8)second color layer
9)whites
If you dig what she does then check out her website, her deviantart page and her blog.